Top Ten Wedding Photography Tips

Top Ten Wedding Photography Tips…

Wedding photography is fun and exciting, an adrenalin rush and don’t forget the free hoer d’ovres but it is also terrifying.  The happy couple are entrusting you to document and immortalise the biggest day of their lives and you only get one shot (ignore the pun)!  Don’t over sell yourself and know your limitations.  Practice at these events is one of the only ways to learn so you should have a dozen or so free shots under your belt to help your confidence, expertise and to avoid unexpected surprises.

Here are a few hints to help you get started:

1.)    One of your greatest selling points as a wedding photographer is your own dynamic personality and confidence.  Do not be afraid to be assertive, to polite interrupt conversations and to give orders.  By all means, try to remain invisible and skulk around like a paparazzi but you’ll get rubbish quality photographs with half cut heads, turned backs and bad lighting and composition.  Do take candid photographs as sometimes these can turn out wonderfully but NOT exclusively.  In the end of the day the guests will forgive your intrusions where they see the result and the bride and groom will want professional, posed photographs that they can live with for all the years to come.  Unfortunately he who shouts loudest sometimes laughs longest so show confidence and get the photos taken with minimal effort and time wastage.  Also don’t miss those one-offs, for example ~ make an announcement (or often ask the mother of the bride to boss folk around for you – they like to feel useful) tell the guests not to throw confetti until you have the shot lined up, the bride and groom, not to cut the cask without you and often photographers ask guests not to take photographs during the signing of the registration or other key moments ~ simply say that you’d like to get the official photographs done first and would everyone mind please waiting and you will give them 5 minutes at the end to flash away to their heart’s content.

2.)    Many photographers are now asking the bridal couple to meet with them before the wedding day to take some ‘engagement’ shots (or test shots so that you can work out the best filters, functions, light balance etc), these are nice to have and helps you firstly be more prepared and secondly build more of a relationship with the couple so that they feel more comfortable around you and less shy.

3.)    If you are doing the photo shot in a location you haven’t visited call ahead to inquire about photographic rules (some churches or civil offices will allow photography during the service, for example, and some won’t) and visit, in person, the gardens or terraces etc to test out the best areas for backgrounds, the lighting and all those little things that can make or break a photo.

4.)    Check the weather forecast so you’re prepared for light balance and conditions.

5.)    Sometimes the addition of props works very well.  For example, I shot a wedding in the snow at Christmas and brought along a clear, black rimmed umbrella that added the perfect touch to the scene.  You may also want to bring horseshoes, flowers, ring cushion (though they will probably have all these) but depending on the location, style and even theme you can be creative, I’ve even seen professional wedding shots using a gimmicked ball and chain or holding a ‘Just Married’ sign.

6.)    Make a list of poses and moments not to miss.  You want a complete start to finish documentation, from (if they want) the early morning preparations ~ these shots can be great because everyone is exciting but more casual, to the wedding car, tank or horse, get detail of the dress including close-up shots and the back view, make sure you have all the important family members represented, exchanging of the rings, walking down the aisle, throwing of the bouquet, confetti, champagne etc

7.)    Levels are good, they make things interesting.  One way to get everyone looking at you is for you to be at a higher vantage point (though watch for sun position).  Saying ‘cheese’ sounds ridiculous but at least shouting something like this tells everyone to be ready and minimised queer looks and shut eyes.

8.)    White dresses make colour balance difficult, make sure you’re using the facial tones for focus and watch out for over exposing and bleaching out detail or the opposite and having a perfect dress but everyone looking like they’re wearing body paint!

9.)    Watch your depth of field ~ you may need a smaller f-stop to take rows of crowds or even if the groom is standing behind the bride, take close-ups of happy faces, tiaras, hair detail but make sure you don’t chop off the dress in full length shots.

10.)                        Have fun with it, you don’t have to be conventional.  Do a Google search for possible ideas and think about the characters and personalities your shooting; don’t think of them as objects.  Try out different angles and heights and some comedy shots will keep the crowd entertained and interested.

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A Crash Course in Photography:~ Basics for Beginners!

These days with the invention of cheap and easy to use digital cameras and smart phones every second of the day must be being recorded by some person or other in some time and space for a wide variety of motivations.  People take pictures because they witness something that they want to remember, that’s a basic as it gets, and therefore every photo has a worth and value which may be personal or global.  Photographs can depict beauty or violence, happiness or deep grief; they are moments experienced throughout our world and give an amazing ‘snapshot’ of current culture, desires and psychology.  What do your photographs say about you?  The great thing is that once you become aware of that camera, that pretty much everyone now has access to in their pockets, it encourages you to really look at things and appreciate aspects of life that you previously sped pass on the fast track of a busy schedule.

Because your subject is usually something that impacts you and speaks to you on some level, you will want to replicate that moment as effectively as possible.  Here is some basic know how to help you on your way.

A camera has four basic functions that determine whether your image will be blurred, too bright or poor quality, these are: focus, ISO, Shutter speed and f-stops or aperture

Focus:

In most cameras in our technological times, focus is taken care of automatically for the photographer but you should practice focusing manually for more diverse shots.  Focusing is something we do everyday without thought or conscious knowledge.  Our eyes work in the same way as a camera.  Our pupils dilate or contract to alter the amount of light hitting the sensors at the back of our eyes and automatically bend and flex to form an image. 

When we focus using a camera lens we are adjusting the distance of the lens ever so slightly with regard to the subject of our photograph.  The light from the scene passes through a lens which refracts and condenses the image onto digital sensors which record the information.  If our lens is incorrectly positioned the light focuses at a point in front of or behind the sensors so they don’t receive the direct replication but a blurred facsimile.

When you half depress the shutter release on a SLR digital camera you can hear and see the lens moving until it is in focus and then you take the shot but learning to focus manually is essential as sometimes the subject of your photograph is not the what your camera’s brain perceives as important (the camera tends to focus on the closes point).  If you what to take a picture of something in the distance, for example trying to focus on a bird through the branches of a tree when the leaves keep coming out in focus or if you want to highlight something on the edge of your composed picture that the camera is ignoring or even if you are shooting in low light conditions and your camera isn’t picking up enough detail to pick out an object to zoom in on then you have to switch to manual.

The easiest way to focus manually is to pick a spot on your subject and rotate your lens until the image is clear.  In film cameras they often came with a broken circle in the middle of the viewfinder and you would find a straight line to concentrate on and turn the lens until the line was unbroken in the two parts of the circle.

Focusing on digital cameras is very delicate as there isn’t much movement in the lens and simply takes practice and trusting your eyes as you’re putting the camera between them and the image and you have to work to focus on what  you want to see.

ISO:~

Refers to light sensitivity. The easiest way to explain most of this is with knowledge of film cameras so in a film loaded camera you can buy rolls of different ‘film speeds’ or ISOs. Images form on film by reacting to the silver halides on the negative. A low number and by low I mean 100 or 200 has small film grains that need a large amount of light to pass through the lens in order to react with it, whereas a high ISO (1600, 3200) has bigger grains that require less light to effect them. Now in a digital camera these are pixels (I think!) but if you image it like this. An impressionist painting is made up of thousands of dots so that when you stand back you see the complete image but up close it’s just spots of colour out of context with what shapes these spots form. The smaller the dots the more detailed the picture but the larger the dots the more ‘noisey’ the image, it’s less defined. The lower the ISO the more detail and information is carried on your camera (the image is broken into smaller dots). Will a high ISO your picture will look more grainy, you’ll be able to see more of the manufacture into which distracts from the full image.

So why bother having different film speeds? The ISO affects all the other functions of your camera. In bright conditions more light will pass through the lens then in darker settings and the image forms faster. This is ideal and you can shot at 100 or 200. but if it’s darker and you have your camera set to 100 your f-stop will be very low which cause a shallow depth of field (less aspects of your image are in focus) and the shutter will have to be open for longer to let in the enough light to gather all the information to reproduce your image. That means that moving objects definitely will be blurred and even static scenes are likely to be blurred because your hand has shaken slightly or the wind has blown you etc. In these situations increasing the ISO allows you to use a shorter shutter speed and/or a higher f-stop and will give you the best result you’re going to get without a tripod.

F-stops:~

F-stops refer to the size of the hole (aperture) that the light for your picture is passing through. The more light available the lower the ISO and shorter shutter speed is required BUT it’s like the big and small dots again, the more light coming in the less will be refracted and focused correctly so only the parts of your image that are the same distance away as your focal point will be crisp and clear, the rest blurred (out of focus). This can be advantageous if you are focusing on one aspect in particular like in portraiture photography where the background is unimportant or if you only want say an eye to be in focus and the rest of the face blurred so you have to consider how you want your final photograph to look when adjusting your settings and balance that with the fact that if you let in less light at once your shutter will have to be open for longer and if there isn’t much light to begin with you will have to use a higher ISO or your image will be dark and underexposed.

Shutter Speed:~

Does exactly what it says on the tin – it refers to the speed at which your shutter opens and closes to let in light. Obviously the longer it remains open the more light will be let in but long shutter speeds mean that movement will blur your image. With film cameras I was always taught that you shouldn’t shot at a shutter speed higher than the focal zoom on your camera lens, ie. Shooting with a wide angel of say times 35 magnification (x50 or 50mm is the standard for what your eye takes in directly in front of it) then you can shoot at 1/35seconds comfortably and if it’s a larger zoom lens of say x200 then you shouldn’t go longer than 1/200seconds. With a standard camera you should get clear photographs at around 1/60 or 1/125 or higher (shorter).

I know this all sounds very completed but it really isn’t and you’ll quickly get to learn what settings produce the best results especially now that you can check said results immediately with digital cameras.

Some examples:

Shooting outside on a sunny, regular day (ie not splitting out of the heavens or dark with cloud cover but just moderate)

ISO: 200 F-stop: 8 Shutter speed: 1/125 (approx)

Shooting inside in general will require a high ISO

ISO:800 F-Stop: 4 Shutter Speed: 1/60 (approx)

At night – Use a tripod!!! ISO: 400 F-stop: 8 Shutter speed: 5seconds (ish)

Don’t take these as a rule of thumb, they are just examples as conditions will be different with every photo.

This and other great articles are available at http://snaphappy.moonfruit.com/
My website:~ http://www.elwoodprints.com/

Malin Head Donegal

Malin Head Donegal is the most Northern Point of Ireland and is mentioned in the shipping forecast.  It provides fantastic vistas over much of the landscape and country.  The ocean battering against the rugged headland is tumultuous and amazing to behold.  Here are a few shots from up at the old Tower, Malin town itself and the 'wee house of malin' which is supposed to have special properties and people visit the shrine and place coins in the ancient stonework.

My Website:~ http://www.elwoodprints.com/ or Where you can email me for a specific print or buy online

Supporter of Snap Happy Photographic Community and Competition Site http://snaphappy.moonfruit.com/

Snap Happy Photographic Community and Competition Site

Are you a Snap Happy Photographer?

Are you an amateur photographer eager to learn and advance?

Are you preparing for a wedding or event and need advice?

Do you want to promote your art and support the talents of others?

Do you want the opportunity to earn money from photography?

Do you want to test your talents in contests and competitions?

Read on…

With the popularity of social media, the invention of cheap digital products and online photo sharing sites, everyone has a fervent photographer in them just begging to be let loose.  Photography is a time honoured, beautiful way to immortalise those special moments and vistas in your life that you don’t want lapsed memory to denigrate.  There is a joy in musing over the past and seeing how you have changed in the present and in developing your photographic skills from cutting off heads and underexposing images to the vivid, sensuous captures of a pro.

I have found a newly launched website that is specifically for amateur photographers to help them grow, learn technique, talk with like minded folk and challenge themselves in monthly competitions.  It is a website run for the people, for the passion, for the photography.

Snaphappy.moonfruit.com is bright and crisp and a friendly place to share ideas, worries and problems. 

Advantages of the site include:

1.)A news blog that shares articles to help enthusiast photographers get a grip on their passions and develop their skills and individual style.  (The site has just launched but already there are articles for night shoots and wedding photography and many more insights to come).

2.)An interactive Forum to discuss anything and everything and community spirit to help each other out and progress together.

3.) A live chat box for members for emergency advice and building friendships.

4.) A photo gallery that will display each month’s best shots and promote and advertise the photographer, including their own websites and projects, if desired.

5.) A monthly competition based on a prompt that will challenge and allow photographers some critique and knowledge as to what makes a good photograph.

6.) Monthly prizes for contest winners and the display of their work to visitors.

7.) Easy to navigate.

8.) Open globally to any age, race or climb!

So pop over to snaphappy.moonfruit.com today for more information.  It is easy to join and promises to go viral with a little support and encouragement.

Make Snap Happy your new Photographic home but please be patient, it’s only a week old – in less than a month you will see the results!

Irish Pub

Hey all,

Another pic from our Donegal trip, I think this charismatic pub was in Clonmony?  Does that sound right?  Anyway the most depressing thing about Donegal was the number of 'Ghost Estates' we saw.  Developers picking a plot of land and building a whole new town there but no one has the money to invest so it was just beautiful but empty houses!  One thing I loved but don't have a picture of are the Irish phone boxes!  I know I'm weird but I'm a Doctor Who fan!  Anyway this is 'The High Stool' in Donegal and I just had to share!

Website:~ http://www.elwoodprints.com/ and Supporter of http://snaphappy.moonfruit.com/ Photographic community and contest site

Derilect House at Old Military Quarters Dunree Inishowen Donegal

One bright, sunny day, a rarity in Ireland, my best mate and I finally took a trip to Donegal, it was a bank holiday but we left REALLY *groan* early and hardly meet a single car.  Donegal is like the wilds of some foreign, countryside realm, beautiful vistas and turquoise waters.  We stopped at Dunree Fort and did some of the walks and then peered through broken, delapidated windows at the old residences, wondering what stories they ruddy walls held in secret?

We were disappointed that you couldn't actually get to the Lighthouse, private property, and envied the little cottage that it back unto!  Here are a few more pics from there, the OLD public conveniences! and  the amazing cliff top views.

Website:~ http://www.elwoodprints.com/ and Supports http://snaphappy.moonfruit.com/ Photographic Community and Contest site

Welcome to Elwood Prints Photography!

Hey all,

I'm starting a new blog for my photography as the other one seemed to get off topic a bit!  Sooo, introductions ~ Greetings World,
I am yet another photographer trying to capture the beauty and peace of a moment before it's lost forever and seeking that elusive perfect shot.  I'll be sharing some of my favourite photographs with you and would love any tips or advice you may have!
Everyone's online these days trying to share a bit of their soul through writing or photography so please be gentle with mine.  My website is http://www.elwoodprints.com/ and any help or support you can give would be most welcome and yes, you can buy any of my photographs there as well as make custom requests.
Welcome to the world through my eyes....